Halil Nadas yazd\u0131:<\/p>\n\n\n\n
Malgaca\u2019da Ferhat\u2019\u0131n Kahvesi\u2019ndeyim. Art\u0131k Ferhat Abi\u2019nin o eski, tozlu antikalar\u0131 insan s\u0131ca\u011f\u0131 kahvesi olmasa da burada h\u00e2l\u00e2 Urla\u2019n\u0131n ritmini duymak m\u00fcmk\u00fcn. Masamda birka\u00e7 yerel gazete, telefonumun ekran\u0131nda ise online haber portallar\u0131 a\u00e7\u0131k. Biraz sonra y\u00fcr\u00fcy\u00fcp, mermerli \u00e7e\u015fmenin yan\u0131ndan ge\u00e7erek as\u0131rl\u0131k \u00e7\u0131narlar\u0131n salland\u0131\u011f\u0131 Urla sokaklar\u0131nda kaybolaca\u011f\u0131m. Bu sokaklar sadece son d\u00f6nemin g\u00f6zde mek\u00e2nlar\u0131n\u0131 de\u011fil, ayn\u0131 zamanda binlerce y\u0131ll\u0131k bir medeniyet birikimini de bar\u0131nd\u0131r\u0131yor. Urla\u2019y\u0131 anlamak i\u00e7in onun sadece parlak vitrinine de\u011fil, derinlerde yatan bu kadim ruhuna bakmak gerek. \u0130\u015fte bu ruha en h\u00e2kim olanlar da hi\u00e7 \u015f\u00fcphesiz bu topraklar\u0131n yerel medya emek\u00e7ileri.<\/p>\n\n\n\n
Klazomenai\u2019den Bug\u00fcne: Felsefenin ve Zeytinin Be\u015fi\u011fi<\/p>\n\n\n\n
Urla\u2019n\u0131n hik\u00e2yesi antik Klazomenai ile ba\u015flar. Buras\u0131, d\u00fcnyay\u0131 “Ak\u0131l” (Nous) kavram\u0131yla a\u00e7\u0131klamaya \u00e7al\u0131\u015fan ilk filozoflardan Anaksagoras\u2019\u0131n memleketidir. Onun, “Her \u015feyi hareket ettiren, d\u00fczenleyen ve bir amaca g\u00f6re y\u00f6nlendiren \u015fey Ak\u0131l\u2019d\u0131r” s\u00f6z\u00fc, sadece felsefe tarihine de\u011fil, bu topraklar\u0131n d\u00fc\u015f\u00fcnce gelene\u011fine de d\u00fc\u015fm\u00fc\u015f bir tohum gibidir. Ayn\u0131 Klazomenai, tarihteki ilk zeytinya\u011f\u0131 i\u015fli\u011fine de ev sahipli\u011fi yapm\u0131\u015ft\u0131r. Yani Urla\u2019n\u0131n DNA\u2019s\u0131nda hem felsefi derinlik hem de topra\u011f\u0131 i\u015fleme, zeytinden, \u00fcz\u00fcmden bereket dev\u015firme bilgeli\u011fi vard\u0131r. Yerel medya da i\u015fte tam da bu y\u00fczden “\u015furada bir villa projesi daha ba\u015flad\u0131” haberinden \u00f6te, bu projenin alt\u0131ndan \u00e7\u0131kabilecek bir antik kal\u0131nt\u0131n\u0131n heyecan\u0131n\u0131 ya\u015far. \u00c7\u00fcnk\u00fc bu co\u011frafyada her k\u00fcrek vuru\u015fu tarihe bir dokunu\u015ftur.<\/p>\n\n\n\n
\u00c7a\u011flar Boyu Yerle\u015fik Bir D\u00fc\u015f\u00fcnce \u0130klimi: Necati Cumal\u0131, Neyzen Tevfik ve Tanju Okan\u2019\u0131n Na\u011fmeleri<\/p>\n\n\n\n
Bu topraklar\u0131n \u00fcretti\u011fi d\u00fc\u015f\u00fcnce iklimi antikitenin \u00e7ok \u00f6tesine uzan\u0131r. Urla, edebiyat\u0131m\u0131z\u0131n usta kalemi Necati Cumal\u0131\u2019n\u0131n \u00e7ocuklu\u011funun ge\u00e7ti\u011fi, “T\u00fct\u00fcn Zaman\u0131” ve “Ya\u011fmurlar ve Topraklar” gibi eserlerine ilham veren yerdir. Cumal\u0131\u2019n\u0131n anlat\u0131lar\u0131 Urla\u2019n\u0131n sadece do\u011fas\u0131n\u0131 de\u011fil, insan\u0131n\u0131n psikolojisini, sosyal dokusunu, a\u015fklar\u0131n\u0131 ve ac\u0131lar\u0131n\u0131 da resmeder. Yerel bir gazeteci, Urla\u2019da ya\u015fanan herhangi bir g\u00fcncel olay\u0131 i\u015flerken, asl\u0131nda fark\u0131nda olmadan Necati Cumal\u0131\u2019n\u0131n kurdu\u011fu o edebi d\u00fcnyan\u0131n bir par\u00e7as\u0131n\u0131 anlat\u0131yor olabilir.<\/p>\n\n\n\n
Bir di\u011fer renkli ve derin karakter ise Neyzen Tevfik\u2019tir. Urla, onun i\u00e7in bir s\u00fcrg\u00fcn ve inziva mek\u00e2n\u0131 olmu\u015ftur. Yozla\u015fm\u0131\u015f \u00e7evrelerden uzakta, Urla\u2019n\u0131n sakin do\u011fas\u0131nda, belki de bir \u00e7\u0131nar\u0131n g\u00f6lgesinde ney \u00fcflemi\u015f, hiciv dolu m\u0131sralar\u0131n\u0131 yazm\u0131\u015ft\u0131r. Onun ba\u015f\u0131na buyruk, \u00f6zg\u00fcr ruhu, Urla\u2019n\u0131n bug\u00fcn \u00e7ekici k\u0131lan “bohem” havas\u0131n\u0131n belki de ilk n\u00fcvelerindendir.<\/p>\n\n\n\n
Peki ya Urla denilince akla sadece edebiyat ve felsefi de\u011fil, ayn\u0131 zamanda bir ses, bir \u015fark\u0131 gelmez mi? \u0130\u015fte o noktada, tam da bu topraklar\u0131n yeti\u015ftirdi\u011fi bir de\u011fer daha kar\u015f\u0131m\u0131za \u00e7\u0131kar: Tanju Okan. O ses ki, Urla\u2019n\u0131n deniz kokan r\u00fczg\u00e2r\u0131na, eski Urla bal\u0131k\u00e7\u0131lar\u0131n\u0131n h\u00fczn\u00fcne ve Ege\u2019nin o benzersiz melankolisine terc\u00fcman olmu\u015ftur. “Son Sabah”, “Kad\u0131n\u0131m” gibi \u00f6l\u00fcms\u00fcz eserlerdeki o derinden gelen duygu y\u00fckl\u00fc ton, asl\u0131nda bu co\u011frafyan\u0131n sesidir. Yerel medya, Tanju Okan\u2019\u0131 da anarak, Urla\u2019n\u0131n sadece yaz\u0131l\u0131 de\u011fil, s\u00f6zl\u00fc k\u00fclt\u00fcr\u00fcn\u00fc ve m\u00fczik miras\u0131n\u0131 da gelece\u011fe ta\u015f\u0131r. Urla\u2019ya gelen herkese “Buras\u0131 sadece bir tatil beldesi de\u011fil, bir d\u00fc\u015f\u00fcnce, sanat ve m\u00fczik yurdudur” diye f\u0131s\u0131ldar.<\/p>\n\n\n\n
Yerel Medya: Kadim \u00c7\u0131nar\u0131n Modern Dallar\u0131<\/p>\n\n\n\n
\u0130\u015fte b\u00f6yle bir miras\u0131n \u00fczerine kuruludur Urla\u2019n\u0131n yerel medyas\u0131. O, Klazomenai\u2019deki zeytinya\u011f\u0131 i\u015f\u00e7isinin, Anaksagoras\u2019\u0131n sorgulayan zihninin, Necati Cumal\u0131\u2019n\u0131n edebi duyarl\u0131l\u0131\u011f\u0131n\u0131n, Neyzen Tevfik\u2019in \u00f6zg\u00fcr ruhunun ve Tanju Okan\u2019\u0131n na\u011fmelerinin modern \u00e7a\u011fdaki temsilcisi gibidir.<\/p>\n\n\n\n
Bir belediye meclis toplant\u0131s\u0131n\u0131 anlat\u0131rken asl\u0131nda Anaksagoras\u2019\u0131n “ak\u0131l” ile d\u00fczeni sa\u011flama idealini sorgular. Bir zeytin hasad\u0131 haberi yaparken Klazomenai\u2019den beri s\u00fcren bir gelene\u011fin kayd\u0131n\u0131 tutar. A\u00e7\u0131lan yeni bir sergiyi yazarken Necati Cumal\u0131\u2019n\u0131n ve Neyzen Tevfik\u2019in ruhunu, g\u00fcndelik hayat\u0131n i\u00e7indeki bir m\u00fczik sesinde ise Tanju Okan\u2019\u0131n izlerini arar. Son d\u00f6nemdeki h\u0131zl\u0131 yap\u0131la\u015fma, turizm patlamas\u0131 ve n\u00fcfus art\u0131\u015f\u0131 kar\u015f\u0131s\u0131nda ise en kritik rol\u00fc oynar: Geli\u015fim ile koruma aras\u0131ndaki ince \u00e7izgiyi g\u00f6zetmek, kamuoyunu ayd\u0131nlatmak ve bu kadim de\u011ferlerin betonla\u015fmaya kurban gitmemesi i\u00e7in bir denetim mekanizmas\u0131 i\u015flevi g\u00f6rmek.<\/p>\n\n\n\n
Son S\u00f6z Yerine<\/p>\n\n\n\n
Urla, antik bir liman kenti, bir filozofun, bir yazar\u0131n, bir neyzenin ve bir ses ustas\u0131n\u0131n diyar\u0131d\u0131r. Onun sokaklar\u0131nda dola\u015f\u0131rken ayaklar\u0131n\u0131z\u0131n alt\u0131ndaki toprakta binlerce y\u0131ll\u0131k bir tarih, kulaklar\u0131n\u0131z\u0131n aras\u0131nda ise bu tarihin f\u0131s\u0131lt\u0131lar\u0131 ve na\u011fmeleri vard\u0131r. Yerel gazeteler ve portallar, i\u015fte bu f\u0131s\u0131lt\u0131lar\u0131 ve na\u011fmeleri g\u00fcn\u00fcm\u00fcz\u00fcn diline \u00e7eviren, bug\u00fcnle bulu\u015fturan en \u00f6nemli k\u00f6pr\u00fcd\u00fcr.<\/p>\n\n\n\n
Urla\u2019ya bir daha geldi\u011finizde, l\u00fctfen bir an i\u00e7in oturup bir yerel gazete okuyun veya bir Tanju Okan \u015fark\u0131s\u0131 a\u00e7\u0131n. O sayfalarda ve o melodilerde sadece g\u00fcncel haberleri de\u011fil, Anaksagoras\u2019\u0131n akl\u0131n\u0131, Klazomenai\u2019nin zeytin kokusunu, Necati Cumal\u0131\u2019n\u0131n h\u00fczn\u00fcn\u00fc, Neyzen Tevfik\u2019in ney sesini ve Tanju Okan\u2019\u0131n i\u00e7li \u015fark\u0131lar\u0131n\u0131 da bulacaks\u0131n\u0131z. \u00c7\u00fcnk\u00fc Urla, i\u015fte o kadim \u00e7\u0131nar\u0131n g\u00f6lgesinde, ge\u00e7mi\u015fle gelece\u011fin sohbet etti\u011fi yerdir.<\/p>\n","protected":false},"excerpt":{"rendered":"
Halil Nadas yazd\u0131: Malgaca\u2019da Ferhat\u2019\u0131n Kahvesi\u2019ndeyim. Art\u0131k Ferhat Abi\u2019nin o eski, tozlu antikalar\u0131 insan s\u0131ca\u011f\u0131 kahvesi olmasa da burada h\u00e2l\u00e2 Urla\u2019n\u0131n ritmini duymak m\u00fcmk\u00fcn. Masamda birka\u00e7 yerel gazete, telefonumun ekran\u0131nda ise online haber portallar\u0131 a\u00e7\u0131k. Biraz sonra y\u00fcr\u00fcy\u00fcp, mermerli \u00e7e\u015fmenin yan\u0131ndan ge\u00e7erek as\u0131rl\u0131k \u00e7\u0131narlar\u0131n salland\u0131\u011f\u0131 Urla sokaklar\u0131nda kaybolaca\u011f\u0131m. Bu sokaklar sadece son d\u00f6nemin g\u00f6zde mek\u00e2nlar\u0131n\u0131 […]<\/p>\n","protected":false},"author":5,"featured_media":2317,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,21,19],"tags":[],"class_list":["post-2316","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","category-gundem","category-siyaset"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.urlahaber.net\/index.php\/wp-json\/wp\/v2\/posts\/2316","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.urlahaber.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.urlahaber.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.urlahaber.net\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.urlahaber.net\/index.php\/wp-json\/wp\/v2\/comments?post=2316"}],"version-history":[{"count":1,"href":"https:\/\/www.urlahaber.net\/index.php\/wp-json\/wp\/v2\/posts\/2316\/revisions"}],"predecessor-version":[{"id":2318,"href":"https:\/\/www.urlahaber.net\/index.php\/wp-json\/wp\/v2\/posts\/2316\/revisions\/2318"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.urlahaber.net\/index.php\/wp-json\/wp\/v2\/media\/2317"}],"wp:attachment":[{"href":"https:\/\/www.urlahaber.net\/index.php\/wp-json\/wp\/v2\/media?parent=2316"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.urlahaber.net\/index.php\/wp-json\/wp\/v2\/categories?post=2316"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.urlahaber.net\/index.php\/wp-json\/wp\/v2\/tags?post=2316"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}